Archive for the 'fields' Category

EA Mix vol 9 - Leftovers


Well the EA series of mixes is finally back. I know you were all holding your breath, eagerly anticipating this volume of tunes, and now you can simply indulge in great music. The wait is over. I present to you vol 9, titled Leftovers because I began compiling these thirteen songs at the beginning of December, or right after the American celebration of Thanksgiving.

If you want to download all the songs at once you can just follow the link below. Please note that this is not a direct link so you’ll either need to left click or choose to open the link in a new tab or window. From there you should be able to download the archive.

zip: EA Mix vol 9 - Leftovers

Below are each of the tracks available as single song downloads. Let us all hope this doesn’t serve to crash any servers [like these mixes have in the past]. These songs should be available for direct downloading. Just right click and save target/link as a file.

01 : The Postal Service - Be Still My Heart : Let’s be honest, I think almost everything Ben Gibbard touches is made out of pure gold. Especially when he teams up with Jimmy Tamborello, of Dntel fame, and makes quirky poptronica tunes with great lyrics and fun melodies. This track is no deviation from their now famous formula. Wait for the half way point in the song for the pure bliss that Gibbard brings to most of his work to become undeniably yours as well.

02 : Superdrag - Sucked Out : This song was huge back when I was attending university, but since then I fear it has largely disappeared. The chorus, which consists of the plea “who sucked out the feeling?” repeated multiple times, is the epitomy of teenage angst and the rage we all have against this post modern, stereotyped, white-washed world. Ok, so that might be giving Superdrag more credit than this song actually deserves, but I do feel like we all identify with this song in some way.

03 : They Might Be Giants - Am I Awake : Normally I don’t really get into music that They Might Be Giants makes. There’s something about their music that reminds of all things awkward in my life and it’s frustrating to listen to songs that to me are without rhyme or reason. Just as with many other fringe artists, though, there occasionally arises a song that grabs my attention and demands that I share it’s infectious joy with everyone I know. This is one of those moments.

04 : Fields - Charming the Flames : If there was one band in the world worthy of being compared to the brilliant sound of Arcade Fire then this would be the band. I’m sick of everyone labelling anything new, interesting, or original as “the next Arcade Fire” so I won’t go that far. What I will say is that they have a wonderful sound and their EP, 7 From the City, is amazing. If these kids put forth this same sort of creative effort on their full album they will be famous. Or at least famous amongst the blogger generation.

05 : Colour Revolt - Mattresses Underwater : I cannot recall where I first heard of this band, or if I’ve heard of any song other than this one, but in the end none of that information really matters. If I was forced to categorize this band I would say they easily fall into the same vein as Modest Mouse. But in a good way, not in a way that makes them seem like another knock-off album from Wolf Parade. Whatever happened to Wolf Parade anyway? Hopefully they went the way of The Vines and just stopped the atrocity.

06 : Get Cape Wear Cape Fly - Once More With Feeling : I apparently have somewhat of a soft spot for bands with long names. Or with comical names. Luckily for Get Cape Wear Cape Fly their name fits into both categories. Luckily for you their name isn’t some small gimmick designed to get people to listen to their music. They actually have talent, and just over halfway through the song they also have trumpets. And talent and trumpets are always a good combination.

07 : Beirut - Elephant Gun : I’ve heard people label Beirut as a new gypsy music, ethnic folk, new folk, eastern European revivalist, ad naseum. Let’s just put Beirut up on the shelf with other such talented acts like Page France, Asher Lev, or Sufjan Stevens. Combining a lot of instruments, most of them admittedly associated with folk and ethnic music, and a lot of voices into one track makes for an intricate sound that is as original as it is familiar. And the song continues to build one layer on top of another until you can’t help but smile.

08 : Foo Fighters - Times Like These (Acoustic) : Every once in awhile I sneak back a couple of years, you know, before blogging was where teenagers found their music, and I pick out an outstanding track from an outstanding band. For those of you who aren’t old enough to remember here’s a quick history lesson. The Foo Fighters are helmed by the very talented Dave Grohl, who used to play drums for a little band called Nirvana, and at certain points in his career he has wavered between the electronic and the acoustic side of rock. For this track he deliciously decided to record it both ways and this acoustic rendition is amazing.

09 : Jimmy Eat World - Drugs Or Me (styrofoam remix) : Just the other day I was talking to a good buddy of mine when I suddenly realized he was wearing a Jimmy Eat World shirt. I was quite amazed and I asked him the question “whatever happened to those guys?” I love their sound and the last I had heard of them was a couple of years ago with the album Futures. Which, by the way, I thought was very good. Apparently they released an EP almost two years ago, from which this track hails, and they’re working on recording a new full length which could allegedly be out soon.

10 : Paolo Nutini - Jenny Don’t Be Hasty : You can tell Mr. Nutini is a young rock star in the making. He has the swagger, the panache, and even the sound of a budding rock star. And the best part is that he doesn’t come across as just another band ripping off the sixties and the seventies. Granted, some of his tracks do get a little guitar solo happy, but he’s young, he’s supposed to be indulgent. Anyway, this track is great, simply great music.

11 : The Fratellis - Ole Black’n'Blue Eyes : Most of the music I’ve heard from The Fratellis is horrible. I can’t endorse them as a band, I can’t stand behind their album, I can’t even say that I really like their sound much at all. I do, however, like this one song. And that’s really the brilliance of a mix album. I don’t have to like a band, I just have to like one song. I will warn you as you listen to this track; you might really like this song, just as I did, but be warned that this song is almost nothing like the rest of their debut album.

12 : Thom Yorke - Videotape : Alright, I’ll admit that the album, Eraser, was like listening to Radiohead without any diversity or depth. But that doesn’t mean that Thom Yorke needs the rest of Radiohead to make great music, it just means that if he wants to do a solo album he should make music in a completely different style than what him and his mates usually turn out. This is one of those instances where Thom’s brilliance shines through. It’s just him, a piano, and his very distinct voice.

13 : The Long Winters - The Commander Thinks Aloud : This is easily one of the best concept songs I have ever heard. John Roderick wrote this song as a reaction to the Challenger space shuttle disaster and I cannot imagine a more heart wrenching piece of music ever being written about a tragedy. The imagery is gorgeous, the music is moving, and the last repeated line will leave your heart filled to the brim with the terrible injustice that happened that day. “The crew compartment is breaking up.”

+

Fields


They describe themselves as “having folksy pastoral elements.” What they sound like is brilliance form across the pond. As is apparent by previous posts and downloads I tend to have a penchant for bands from across the pond. Or bands from Iceland. Fields has both elements combined into one new-folk cross-continental sound that can’t easily be described. Obviously.

As with most music it is best to be heard, not talked about. Currently Fields have one EP to their credit but if is a foreshadow of surely greater things to come then you can expect a lot out of this little London based band. After all the first tracks were put down with only about six weeks of rehearsal under their belt.

mp3 : Fields - Song for the Fields
mp3 : Fields - Brittlesticks

buy 7 From the Village on Amazon for 7.98

EA Mix vol 6 - A Fresh Start

First of all I’ve switched the format in which I construct my mixes. Before they were always 17 songs. A nice big prime number. And that number was chosen because, when burned to a cd, 17 songs usually maxes out the available space. I’m Dutch, hence I like to use everything you can.

But, in today’s modern age [where the single song download is rapidly watering down the effect of a solid album], everyone seems to have digital music players. Taking this all into consideration the mixes to follow will use 13 tracks and will only be offered in the form of single song downloads. If you want one archive file containing all of the tracks [for easy downloading] let me know in the comments and I’ll make it available. For now, enjoy the songs.


01 : Joshua Radin - Star Mile : It wasn’t just breathy boy/girl harmonies, catchy lyrics, and superb instrumentation that got Joshua recognized. As is true in so many fields it’s all who you know. And Mr. Radin knows Zach Braff, actually went to school with him. They first hooked up to put some of Josh’s songs on Scrubs, then Josh got a record deal, and now two of his songs are featured on The Last Kiss.

02 : Josh Ritter - Good Man : I love this song. I really cannot get enough of it. And it comes from one of the best albums of 2006. This man has a future in the new folk scene alongside such other acts as Page France and Zach Williams. If this is the future of “indie” pop then it is a bright future indeed.

03 : Fields - If You Fall We All Fail : It seems as if any band that sneaks out of Britain these days is spectacular. Add to this the fact that at least one of their band members hails from Iceland [homeland of Sigur Ros, an easily identifiable reference in their music] and you have a recipe for beautiful music. They will be huge, maybe not on the level of Coldplay or U2, but I expect them to rival The Arcade Fire for underground credibility.

04 : The Killers - When You Were Young : I like the lyrics, I love the band, I’m excited to hear their new album. I still don’t always understand what they’re talking about, what reference or point they’re trying to make, but it doesn’t really matter when you’re the new glam kids on the scene. Let’s hope that all the hype they’ve been getting doesn’t lead to a giant letdown.

05 : Envy Corps - Rhinemaidens : At the beginning of the track it sounds hauntingly like something I’ve heard, and loved, before. I can’t quite place what their sound reminds me of, but it feels comfortable and good. I really feel like once the guitar kicks in it sounds like something that Men at Work should have recorded.

06 : Thunderbirds Are Now! - We Win (Ha Ha) : I have no idea how I first heard of this band. They sound a little rough around the edges, almost like the Yeah Yeah Yeahs with a male lead. One thing is that their sound is frantic and at the same controlled. It has a certain driving energy, quick drums, sonic stops, and a hook that pulls you through the just over three minutes track before you know it.

07 : Gavin Mikhail - Fight the Sky : Yeah, I did include a basic pop song on my mix. Get over it. The first thirty seconds sound like standard, run of the mill piano pop. Then the song gets pushed to the point of almost being over-produced. And it sounds great. Like a better Jason Mraz with a real purpose and talent [and no trucker cap].

08 : The Triangles - Applejack : My little brother made me listen to this song while I was home this summer. At first listen I didn’t really like it. It took me awhile to really get into their sound, and to be honest it’s still not my favorite. It comes across as a poor man’s Polyphonic Spree. But in this weird mix of preschool sounding lyrics and hooks there resides a type of youthful energy which deserves at least two, maybe three, listens.

09 : Imogen Heap - Hallelujah : Originally a Leonard Cohen song, first famously covered by Jeff Buckley, then again by Rufus Wainwright, and now finally the brit voice behind Frou Frou. Buckley’s version is still the best on the planet, but Imogen brings her own twist to the song. Namely she drops the instrumentation and uses her voice, and breathing, in layers to make an old classic new again.

10 : Ben Kweller - Thirteen : BK himself said that this was the most personal, and best, song he’s ever written. It appears on his newest self-titled album and he has said that it’s difficult for him to perform live because he gets very emotional. The bottom line is that it’s another great song from the one time musical kid genius.

11 : Sufjan Stevens - Pittsfield : Sufjan Stevens has a disease, and the only cure is making more and more [and more] music. So he writes hundreds of songs every year and records most of them. This song hails from his b-sides album The Avalanche and it’s easily into my top ten favorite Sufjan songs. It builds and builds upon itself, even if it is simple in the way it’s constructed, and eventually reaches a peak that you wish would last forever.

12 : Zach Williams and the Ramparts - James : Mark my words, Zach Williams will be huge. All in due time he will play every indie festival from Bonnaroo to Pitchfork. And he will dominate. But for any of this to happen he needs to drop the “and the Ramparts” from his name. All that being said this is a wonderful song.

13 : DeVotchKa - How It Ends : I can’t quite classify the sound of this band. It’s good yes, it’s weird yes, and it somehow works [accordion and all]. When the music drops out and he wails “and you already know how this will end” I get goosebumps, I get a little crazy, I want him to keep singing forever. But alas, this is how it ends.