Archive for the 'dance' Category

The Veronicas track Untouched

Agree with me or not (or feel guilty about it or not), but I think the latest single by The Veronicas is actually sorta kinda addicting.  And while I’m not ashamed to admit that I like the catchy string loop, the dance beat, or the Kelly Clarkson stylized delivery I still possess too much pride to actually research this track, post about the entire album, or generally admit anything other than I listened to the radio this past weekend, heard this track, and thought I should post it.

mp3 : The Veronicas - Untouched

Enjoy it or don’t.  It’s your call.  No one will think less of you.  (Ok, I can’t promise that last bit).

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Friendly Fires live at Radio Radio

Yes, I am just that fortunate.  A few weeks ago, when I was down in Indy to catch a brilliant set played by White Lies, I also was able to enjoy a set by indie dance rock darlings Friendly Fires.  And let me say this; if all you’ve ever done is hear the studio album by these three gents then you have yet to scratch the surface of Friendly Fires’ entertainment value.  Seriously, these kids know how to have a good time in a live venue.  Their energy was contagious.

mp3 : Friendly Fires - Paris
mp3 : Friendly Fires - Skeleton Boy

Both of these songs were played that night in Indy and both of them hail from the album Friendly Fires (amazon) (itunes).  It’s a very fun little dance rock album and it translates, in case you haven’t picked up on this yet, extremely well to a live setting.  If you will you can think of them as a less edgy version of !!! (but just as fun live).

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The LK

The LK is a dance pop {possibly noise pop} group based in Malmo, Sweden.  They craft songs that are very reminiscent of Spitzer or The Postal Service.  Each track on their latest album, VS The Snow (amazon) (itunes), is filled with enough blips and bleeps to keep even the most electronically minded individual at ease.  On top of their solid electronics knowledge base they craft songs filled with smooth melodies and bouncing rhythms.  While some groups struggle to find their own way The LK has found a way to fit into a preexisting musical niche while grabbing a bit of the spotlight for themselves.

mp3 : The LK - Tamagotchi Freestyle
mp3 : The LK - Private Life of a Cat

Tamagotchi Freestyle has some backing tracks that are almost dead on Postal Service material {and I love the title of the track}.  And in this review being compared to anything involving Ben Gibbard is akin to being compared directly to Zeus himself.  Private Life of a Cat might have made this post due to my penchant for listening to songs involving cats {see The Weakerthans} or it might be because this is a solid track that showcases their depth as a group.  If you like The Postal Service or Spitzer this is a definite must for your collection.

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Late of the Pier

I first heard of these young punks when I stumbled upon this music video which prominently features a drum playing robot that rises from the abyss and drums the band to death for the last minute or so of the video. Needless to say I was ecstatic. The one thing I was less excited about is the fact that these boys have yet to drop a proper full length on the eagerly awaiting masses. Their catalog, to date, is filled with singles, EPs, and a load of excellently remixed tracks which take their already frenetic blend of techno, glam, and pop and fuse it with otherworldly beats that defy comparisons to mere mortal bands. Also, from what I can gather, these blokes dominate in a live show.

mp3 : Late of the Pier - Space and The Woods (Cenzo Townshend Mix)
mp3 : Late of the Pier - Focker

The song Focker is absolutely brilliant and I challenge anyone to sit still throughout all three minutes and twelve seconds of this danceable tune. Both tracks hail from the most recent effort by Late of the Pier, an EP called Space and The Woods / Focker (amazon) that features five remixes and the original tracks. Quite brilliant. For those of you who are of the remixing variety out there the track Focker has a brilliant closing dance break that I’m positive would make an excellent contribution to your next mashup project.

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The Joy Formidable

I’ll admit it, usually I stray away from the most hyped path. I don’t really associate with the most popular of all popular artists {I need to reserve some indie credibility} and many times I don’t even like what everyone else is calling the most influential band since The Beatles {you know, that one band your roommate just won’t let go of until you’ve heard every terrible minute of their twenty seven minute debut self-recorded opus to pet names}. But on rare occaisions there exists a band who has massive hype and yet retains a lot of their musical integrity {these guys don’t even have a website, only a myspace. What more could you want?!}.

I’m not entirely certain who these three kids from London remind me of. There’s a trace of the Yeah Yeah Yeahs {if they were happy all the time} and a dash of The Dodos due to their penchant for sounds built from the ground up on bombastic drums and walls of guitar. One thing can easily be said though, their name accurately depicts their sound. This trio creates an infectious blend of sounds that, and I write this with a straight face, could be described as inducing formidable joy {akin to the joy found on the latest Of Montreal album for those of you still musing}. But that’s enough, just listen to these tracks.

mp3 : The Joy Formidable - Austere
mp3 : The Joy Formidable - While the Flies
mp3 : The Joy Formidable - The Butterfly’s Last Spell (Stegosaurus Remix)

I really can’t pin down the familiarities I hear in these tracks {the first two are from what will most likely be their debut album and the third is a remix by Stegosaurus from Totally Enormous Extinct Dinosaurs, or TEED}. There seem to be glimmers of everything from Shout Out Louds to U2 to Pete Yorn. It’s as if they took the best part of dance, pop, rock, and a truly live sound, put it in a blender, pushed the button marked fun, and ended up catching it all on tape. It’s just brilliant, and oh so much joy.

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Memoirs of a Blogger : Langerado Day 1

How can one describe in words an experience like a musical festival? I believe it would be akin to asking a new father to describe the joy of having a healthy baby or putting a microphone in front of a person watching a sunset unfold and forcing them to describe the event for thousands of people millions of miles away. This is the feat that I am struggling with. How can I accurately describe something that truly needs to be experienced; how can I convey the thrill of a festival through mere words? Whether I find a muse to guide me through this four day blogathon or not will be for you to decide. Remember this as you read, these are simply words, to know how much fun it is to experience Langerado you’ll have to attend it yourself next March.

{the following consists of excerpts taken from my journal during Langerado 2008}

Who agreed to drive twenty plus hours just to go to a music festival? I know we somehow scored free media passes to this event, but this drive is brutal. I’ve just driven, pretty much all at once, from northern Indiana to the southern side of Atlanta. For those of you who live outside the glories of middle America that’s roughly twelve straight hours behind the wheel. At least I had the music of Cloud Cult to keep me company as my traveling buddy desperately tried to get some rest on the passenger side. When at last my turn to sleep came I jumped in the back seat of our rented car and died for about four hours. Even in the cramped quarters of a Chevy Malibu sleep still felt like a cold glass of lemonade on a hot summer’s day.

After twenty odd hours on the road we arrived at our first destination on this little road trip. I’m not sure who’s idea it was originally, but staying in a hotel the night before the festival began might have been the best idea of the entire trip. Some booze, some ice cream, some excellent smokehouse bar-b-que from Jack’s, and a few hours spent watching Discovery before passing out for the night was just what I needed.

The next morning we attempted a trip to the beach only to arrive at the same time as a wicked amount of semi-tropical rain. Not to be dissuaded we sat in the lobby of a hotel watching the rain and reading back issues of Paste Magazine. After watching the rain fail to abate for the better part of two hours we decided it was time to head toward food and toward the festival grounds. Little did we know that we would end up at a scrumptious Gutamalen Eatery on a random side street in the south of Fort Lauderdale. We watched divorce court en Espanol and listened to a man from Honduras regale us with stories of his massive road trips to cities roughly a few hours away. I’m sure in his not-quite-lucid mind he was connecting with us as he flipped the bird to Jupiter Florida {for being so far away} and asked us if he should call his sister so we could get laid. Fortunately we had better things to do that day and on we trekked to the Big Cypress Reservation deep in the middle of the Everglades.

We grabbed our media wristbands and a parking pass for the Chevy before setting up our tent and heading into the festival. The first night was a bit slow for the music schedule so I decided I’d mill about and catch what acts I could, leave the shows I didn’t like, and hopefully find a few gems to share. I dropped by the press tent and met a few fellow grown up kids who, like me, aren’t really making any money writing about music but are doing it nonetheless. Afterward it was off to peruse the five stages of Langerado in the pursuit of entertainment.

First stop was the winner of the Sonicbids voting for who would open the festival. Palominos played a tight set that consisted of entertaining southern rock and they gave me a free CD after the show {which is always an easy way to win over the press. From there it was time to see if Golem were half as entertaining as the Tolkien character which shares their name. Unfortunately I feel as if I would rather listen to Smeagol sing the Songs of Middle Earth than have to sit through another set by Golem. It was that bad

Next it was on to see Les Claypool. I’ve known for awhile that I don’t really appreciate jam bands very much {ever since my freshman year roommate routinely rotated his four Phish albums with the sixteen Dave Matthews Band discs he had}, but Les took my simple dislike and blasted it off into full blown disdain. Honestly, how can anyone not on drugs like this music at all? And to be fair even the overweight and mostly naked guy tripping on acid didn’t seem to care much for the music either. Although he did have a penchant for yelling out clever one liners like “That’s why tits never went out of style, Ryan!” or the clever rejoinder of “I got my acid in 2012″ when someone asked where he had bought his little mind trip.

Fortunately there were two bands on the schedule which totally redeemed the evening and served to set the mood for the remainder of Langerado. And no, Dark Star Orchestra was not one of those bands. Did anyone honestly like The Grateful Dead to begin with?

The first surprise of the fest was a band from Miami called Awesome New Republic. They’re prone to referring to themselves as ANR and they played a great one hour set that contained a clever mix of dance pop and art rock. They had a very passionate local fanbase singing along with a lot of their songs as they played frenetically through songs that kept the entire crowd bouncing and dancing along. It’ll be interesting to hear if their live energy can transfer to a studio album, but if it can be chanelled long enough for a full LP I would say this band will come to be enjoyed by many.

mp3 : Awesome New Republic - Last Drop
mp3 : Awesome New Republic - Wheels No Engines

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My favorite act of the night came in the form of the extremely awkward That 1 Guy. He plays a homemade instrument referred to as the Magic Pipe as well as an Electric Cowboy Boot. Although he’s quirky and definitely leaning toward the odd side of the spectrum he plays intense and insanely danceable songs that are filled with heavy beats and clever melodies. He sounds a bit like Beck, Weird Al, and Marilyn Manson rolled into a one man band and he pulls it all off with a straight facing singing songs about raining meat, the fact that the moon is made of cheese, or fruit. {You must listen to his song The Moon Is Disgusting all the way through. The last two minutes are simply gorgeous dance beats. He was also, easily, the one artist talked about the most in the press tent the following day}.

mp3 : That 1 Guy - It’s Raining Meat
mp3 : That 1 Guy - The Moon Is Disgusting

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Day 1 was over and it was time to return to a tent that had been soaked during the afternoon rainstorm. It didn’t matter though as we were sufficiently filled with the sonic feast we had enjoyed during the glorious Florida sunshine. There really is nothing like a festival, especially not words and pictures.

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Spitzer does Kylie Minogue

Awhile back I reported that Spitzer, aka Damien and Matthieu Spitzer from Lyon, France, were cooking up a little remix for the beautiful Kylie Minogue. I feel it should also be noted that it appears they were asked by Kylie’s people to undertake this remix, not any other way around. Now simply being talked to by one of the reigning dance pop diva’s of the past decade {not to mention her brilliant portrayal of a gorgeous scientist in Bio-Dome} is a good sign you’re doing the right then, but then there’s also the fact that this remix is hot. And yes, I’m talking Kylie Minogue hot.

mp3 : Kylie Minogue - In My Arms (Spitzer Remix)

This also came in the personal email from the boys. A little bit of news. “We’ve been contacted by record companies but the definitive choice is not already made.” I reckon, making music like this, that they have a license to wait for a better deal. And they should. To stay up to date on all things Spitzer make sure you check out their myspace page as that’s where most of their updates happen.

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The Battle Royale

Lately I have seen a rash of patients presenting with the general symptoms of excessive amounts of boredom appearing in the early stages of many a late evening party. After careful research I have determined this general malaise to be brought on by an overdose of bands who borrow acronyms from television technology and music tracks whose titles are often followed by a parenthetical phrase. Luckily a cure for this party sickness has been found in the form of a cheeky band from Minneapolis who refer to themselves as The Battle Royale. Their latest album, Wake Up, Thunderblade, is the perfect dose of dance pop and pure folk that is sure to cure any and all party killers from here until the afterlife. Careful with your dosages, though, as too much of The Battle Royale has been proven to provoke uncontrollably giddy dancing, chilling out, and relaxing all cool.

All nonsense aside I probably would have loved this band simply for entitling one of their tracks Hollercopter. I honestly laughed just reading that word out loud. Seriously, try saying Hollercopter in your best Schwarzenegger accent and you’ve got the beginning of a great party already.

mp3 : The Battle Royale - Hollercopter
mp3 : The Battle Royale - Wake Me Up

Although these two tracks present the more danceable version of The Battle Royale their album is rife with acoustic folk goodness as well. In some artists this clever dichotomy would be bashed and much maligned but with The Battle Royale it feels as if you’re really getting the best of both worlds.

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Mumpsy

About six months ago I received a promo packet in the mail about an upstart little band called Mumpsy.  With a list of guest musicians as long as my arm, a concept album about three people who can’t decide who to love, and a sound I couldn’t define it sat on my shelf for quite awhile.  To be fair it actually sat on my brother’s shelf for quite awhile.  You see I used to live in China, in a place you can’t easily mail albums to, so all my promos and other materials were opened, scanned, ripped, etc., by my little brother who then emailed the goodies on to me.  It just happened to be I received this album a few weeks before moving to South Korea and then two weeks after that I began the long journey home here to the Midwest.  Anyway, in the ensuing travel, unpack, madness, life, I lost this promo album I had received.  But now it is found.

Although the album is titled 3 People (iTunes), the band is seemingly made up of anyone and their brother, the signature sound of Mumpsy emanates from one central character, Jeff Ilgenfritz.  And although this album is billed as a dance/rave mixture on his label’s website it is nothing of the sort.  Jeff cleverly mixes together a certain style of sixties retro folk with upbeat, albeit acoustic, dance beats to create something akin to a modern day Kinks or Beatles sound.  There’s a lot of room for play in the five song EP and each song casually nudges your head to nodding and feet to tapping along with the stories Jeff sings.  Although the concept of the album, which is described at length in the album notes, falls a bit short the aural aesthetic of the disc does not.  This is what solid new folk dance music sounds like.  And if you’re confused just listen to these tracks.

mp3 : Mumpsy - Iowa City
mp3 : Mumpsy - You Glued My Broken Heart

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